This publication design reinterprets selected passages from Being and Time through a three-part visual structure that parallels its philosophical arc. The first chapter visualizes death through dark space and concentrated forms, the second shifts toward life with openness and warmth, and the third dissolves the boundary between them, merging both atmospheres into a unified field. By allowing life and death to coexist without hierarchy, the design reflects Heidegger’s view that Being is shaped by both equally, transforming existential theory into spatial and visual experience.